![]() “I think there are ‘Snow White and the Seven Dwarves’ in there,” Okui says. In the fantasy world, they’re Russian nesting doll-like characters that Mahito carries around with him to watch over and guide him. That’s why they’re supporting him in the real world as well as the fantastical world,” he says. “These seven elderly women serve a purpose because you can’t get too dark, and we needed some characters to bring a certain levity to the film. Some of the film’s humor comes from the bustling group of little old ladies that live in Mahito’s new home - and are based on women from Miyazaki’s childhood years. The explosion of color “was intentional,” says Okui. This world is filled with vibrant creatures and characters, including the Warawara, sweet, marshmallow-like beings that float through the sky. Your design should use one color for 60 of the visual space, 30 for the brand or another secondary color, and 10 for an accent color. The crew balanced the darkness of change and war - always implied, never seen - with the fantastical world Mahito travels through after following a talking heron (which disguises itself as a grotesque man). The color you use for 30 of the design will have a stronger impact on emotion than the one used for 10, so consider carefully what you want the prevailing emotion to be.
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